Diary Illustrative of the Times of George the Fourth: Comprising the Secret History of the Court, During the Reigns of George III and George IV. (London: Pickering & Chatto, 1995).īury, Lady Charlotte Campbell. The Complete Plays of Frances Burney, ed. Graphic Design, Print Culture, and the Eighteenth-Century Novel (Cambridge and New York: Cambridge University Press, 2003).īurney, Frances. In The Complete Novels of Jane Austen (Harmondsworth: Penguin Books, 2006), pp. Saggini underlines the interconnections between mutually reinforcing forms of neighbouring artistic activities as components of a broader spectrum of interartistic and intermedial cultural signification, pivotal to contextualize and reassess Frances Burney’s work. As evidenced by its complex biographical implications, this was a revealing and at times contentious dialogue, allowing us to reconstruct in an original and highly focused way the feminine negotiation with such key concepts of the late Enlightenment and Romanticism as virtue, reputation, creativity, originality, artistic expression, and self-construction. The encounter, Saggini claims, was not devoid of tensions and indeed often required a degree of wrangling on Burney’s part. Francesca Saggini introduces this collection of essays by leading scholars in Burney studies and provides an interdisciplinary critical consideration of the relationship of one of the major authors of the long English Romanticism with the arts.
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